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26

Jun

The Amazing Spider-Man was indeed ‘amazing’

So yesterday I had the privilege to attend a preview screening of ‘The Amazing Spider-Man’ in 3D at the Odeon, Leicester Square and my oh my was I extremely impressed with this movie.

Peter Parker showing Flash Thompson 'who's boss' As many of you may be feeling at the moment, my expectations for this movie were somewhat non-existent. I had not seen the trailer but knowing that there would be a new Spider-Man played by Andrew Garfield who, yes, is a fabulous actor based on his roles in ‘The Imaginarium of Dr Parnassus’, ‘Never Let Me Go’ and fundamentally ‘The Social Network’, I just couldn’t help but crumble a little inside knowing that Tobey Maguire would no longer be the cute dorky Spider-Man who had graced our big screens for so long. What’s more, I honestly could not fathom how they could develop or even ‘improve’ Parker’s character by placing him in a high school ‘coming of age’ environment, where most if not all cliched stereotypes are born, bread and ‘buttered’*.

Nonetheless, after what was a seemingly ‘slow’ start to the movie which remained quite close to the establishment of Parker’s arachnid powers and catalyst for revenge in Sam Raimi’s ‘Spider-Man’ back in 2002, ‘The Amazing Spiderman’ culminated on an absolute high. 

Features of old favourites such as Uncle Ben and Aunt May accentuated the humanity of Spiderman whilst the undulating comic nature of the plot was emphasised throughout with several scenes dedicated purely to the notion of Peter Parker vs the World. A hilarious basketball scene between Parker and the classic high school bully, Flash Thompson (Chris Zylka) is definitely one to watch out for. I must say that the relationship and chemistry between Garfield and Emma Stone was incredible; I have loved Stone since her lead roles in ‘Easy A’ and ‘The Help’ so it was quite nice to see her back in her ‘comfort zone’ as an effortless Gwen Stacy.

Ultimately, Marc Webb’s (pun intended?) ‘The Amazing Spiderman’ has allowed for the audience to realise the fundamental connections between Parker and his parent’s disappearance, which was only vaguely mentioned in ‘Spider-Man’, as well as the significance of Dr Curt Connors as Richard Parker’s scientific partner.  I am not usually a fan of 3D movies as I always feel that wearing the glasses provided takes away from the overall quality and colour depth of the original footage, yet the CGI in this movie was particularly well done during the fight/action scenes between ‘The Lizard’ and Spider-Man for which I have decided to rate this movie a 7.5 out of 10. From the tight spandex superhero suit Garfield pulled off ever so well to the comical and banterous escapades between Garfield and his victims (particularly the car thief scene) ‘The Amazing Spiderman’ had everyone in the audience hooked from start to finish.

By the way, make sure you stay until the very, very end (by this I mean past the main credits) as there is a glimpse of the new villain for the sequel to this movie


The Amazing Spiderman is released in UK movie theatres nationwide on 3rd July 2012


*Obviously, this was ignorance of the comic books and whole Spiderman fandom speaking

01

Jun

gonna try and make an effort to post more often from mid-June onwards

give me some ideas to come back with?

15

Jan

Album Art
0 plays

Song: Weights *NO COPYRIGHT INTENDED*
“I know how it all ends…”
Artist: Everything Everything
Song Rating: 10/10
Album: Man Alive (2010)

Never have I been so hooked to a song since listening to Foals’ Heavy Water as I have been by Everything Everything’s album finale Weights. The sheer excellence of this track has been rattling around in my mind for the past two weeks, and I just felt the need to share this with you all!

Granted, it has taken a while to appreciate Man Alive for what it is i.e. a quirky and experimentally ambitious debut album. At the time it appeared as such since personally the only song which seems to take any ‘conventional’ form upon the first listen was ‘Suffragette Suffragette’. Nonetheless, a year later after its release and having the privilege to see them live at Reading 2011 (which was amazing!!!!!), my decision to give the album another go was the best I have made in a while.

Weights is as lyrically captivating as it is instrumentally. The time signature, layering of the vocals and drum pattern is effortless while the the lyrics exude passion. A user on SongMeanings.net seemed to provide a religious interpretation of the lyrics based on St John’s account of what occurred at the end of the world in the Book of Revelations:

He’s not able to finish what he’s saying… the song actually ends chanting gloriously “I know how it all…” symbolising finally being overwhelmed perhaps with elation, perhaps by the way the world ends. Brilliant.

Plausible interpretation - what do you think of it???

Overall, 10/10 for this song, just pure class from a top notch band. BRAVO!

07

Jan

Spector - Grey Shirt & Tie (by spector)

Saw ‘em live last August by chance, and have been amazed by how much progress they’ve made :)

12

Dec

did not realise how inactive this blog has beeeen. on the plus side, saw coldplay live (woo!) and on the downside, iPod is dead (RIP)

and we did wear elephant masks when paradise came on

and this blog will be active soon(ish(ish))

16

Oct

Album Art
20 plays Get

Oh the irony of today’s shufflé song (that being it’s a) a Sunday, and b) last night = a “heavy night” drinky drinky)

Song: Sunday
“I love you in the morning, when you’re still hungover”
Artist: Bloc Party
Song Rating: 3.5/5
Album: A Weekend In The City (2007)

Boisterous rockers, Bloc Party, are one of the most instrumentally talented bands to be discovered in years. It comes as no surprise that they have attracted such popularity, with their quirky riffs, bass lines and drumming patterns along with Kele’s memorable vocals in their debut album, Silent Alarm to a more chilled out mellow feel for music in A Weekend In The City.

Matt Tong, opens Sunday with a punchy drumming section, whilst the long drones of the accordion behind Okereke’s vocals, is immediately suggestive of a church-like environment, blatantly conflicting with the unholy nature of the lyrics. The song has been crafted in such a way that the discordant reality of the character’s “love” for one another, becomes much like what Kanye West would have imagined as a ”dark twisted fantasy“  (without the overt sexual reference, of course).

 Their recent hiatus followed by rumours of the band splitting, which then resulted in speculation that it was all just a publicity stunt, has certainly kept their fans at the edge of their seats in the hopes for a a much anticipated new album release.

Either way, you gotta love a bit of Bloc Party, whatever the weather, whatever the mood.

Did you know…?
Kele Okereke is an studied English Literature at King’s College, London (well I got really excited by this since I am applying there this year… UCAS & personal statements kill me now AHHH!) 

shufflé x

11

Oct

NEW JAMES BLAKE ALBUM WOOO!

30

Sep

Album Art
10 plays Get

today on shufflé (its been a while…)

Song: Tell Me What To Swallow
“Through the wall he through me
I knew he’d never hurt me”
Artist: Crystal Castles
Song Rating: 5/5
Album: Crystal Castles (2008)

Alice Glass’s haunting vocals, on the last song of an album by one of the most ambitious and exciting artists of the noughties Crystal Castles; ‘Tell Me What To Swallow’ provides an anti-climax for what is an ‘eargasmic’ chaotic album.

The chilling effect of this song is derived from the content in the lyrics, empty space, texture and layering of the vocals over the consistent chordal strums of the guitar. Clearly, this is about some form of paedophilia or incest (“Daddy watched me sleeping… The one who smells so pure”), it is quite striking that this beautiful, yet morbidly dark song has been placed in contrast with what the rest of the album had on offer.

All in all, “Tell Me What To Swallow” encapsulates the loss of innocence in such a horrific way, yet is captured effortlessly in under 2 and a half minutes.

29

Aug

blog resurrection & Reading Festival

which was bloody amaaaaaazinnnng, better line up than I initially thought!

this calls for new posts on this blog methinks, and more gigs to come :)

10

Aug

shufflégraph wednesday:Portrait of Mystery by Wazari Wazir  
How did I find this photograph? Was a bit of a long winded search, but it did start from a simple Google search of ‘portraiture photography’. Google is your friend, and don’t you forget that!
Scrolled down several pages and came across a striking black and white photograph, which linked to the owner’s Flickr page. With a bit more faffing about, I managed to extract some information about Wazir: he is a Malaysian Photojournalist working as a photographer for their government, and has his own established blog.
Wazir on Portrait of Mystery:

This guy like to keep his eyes shut, so I’ve to wait patiently for this guy to open his eyes, I need a strong deep eye contact to make this portrait look strong and have a mysterious feel to it

Now this is particularly interesting, as the subject’s eyes are THE most visually captivating and, to an extent, youthful aspect of this photograph, shaping the rest of the frame with an air of age, wisdom and perhaps an element of pain also. His facial expression appears quite gaunt; Wazari’s observation that the subject likes to keep his eyes closed, indicates that he may be lost in a world of his own, an escapist, whereby reality is no longer or never was a desirable place. The overall composition of this photograph is very simple, yet the use of black and white in this photograph is fundamental for highlighting:
 a) the textures - wrinkles and details on the subjects skin are emphasised in          monochrome and b) the contrast between the subject’s beard colour, white (pure, hope) and the rest of the  frame which is pretty much black, bleak and melancholic.
A very commendable piece of photography, and it is well worth having a browse through the rest of Wazir’s photostream on Flickr.

shufflégraph wednesday:
Portrait of Mystery by Wazari Wazir  

How did I find this photograph? Was a bit of a long winded search, but it did start from a simple Google search of ‘portraiture photography’. Google is your friend, and don’t you forget that!

Scrolled down several pages and came across a striking black and white photograph, which linked to the owner’s Flickr page. With a bit more faffing about, I managed to extract some information about Wazir: he is a Malaysian Photojournalist working as a photographer for their government, and has his own established blog.

Wazir on Portrait of Mystery:

This guy like to keep his eyes shut, so I’ve to wait patiently for this guy to open his eyes, I need a strong deep eye contact to make this portrait look strong and have a mysterious feel to it

Now this is particularly interesting, as the subject’s eyes are THE most visually captivating and, to an extent, youthful aspect of this photograph, shaping the rest of the frame with an air of age, wisdom and perhaps an element of pain also. His facial expression appears quite gaunt; Wazari’s observation that the subject likes to keep his eyes closed, indicates that he may be lost in a world of his own, an escapist, whereby reality is no longer or never was a desirable place. The overall composition of this photograph is very simple, yet the use of black and white in this photograph is fundamental for highlighting:

a) the textures - wrinkles and details on the subjects skin are emphasised in         monochrome and
b) the contrast between the subject’s beard colour, white (pure, hope) and the rest of the frame which is pretty much black, bleak and melancholic.

A very commendable piece of photography, and it is well worth having a browse through the rest of Wazir’s photostream on Flickr.